Category Archives: Thoughts

Priest, Raised from the Dust of the Earth

Priest, Raised from Dust of Earth

A Visual Contemplation on Priesthood from a Liturgical Reading

The priest stands at the altar clothed in light, yet at his very core he remains the fragile dust of the earth. This paradox – dust and glory, earth and heaven – lies at the heart of the Orthodox vision of priesthood. The painting “Priest, Raised from Dust of Earth” seeks to visually contemplate this mystery through the lens of liturgical texts: the Sedro reading from the Holy Qurbana Taksa, the Funeral Service of Priests, and a Qolo from the Friday Evening (Ramsho) prayers.

1. The Dust of Creation and the Hands of God

On the left side of the painting, we see the divine hands gathering the dust of the earth, forming the first human being. This recalls the hymn from the Funeral Service of Priests:“From the four directions the Lord took dust in His hand and created Adam in His own image.”

This tradition resonates both with the Syriac liturgy and with the Midrash Rabbah on Genesis, which tells us that God gathered dust from the four corners of the earth so that every place might claim humanity as its own. The image proclaims that the priest, like Adam, is drawn from creation itself, embodying the fragility and the universality of the human condition. He is nothing but dust – yet dust touched and shaped by the very hands of God.

2. Priesthood as New Creation

The right side of the painting shifts the focus to the priest clothed in vestments, his hands stretched toward the heavenly hand that pours forth divine grace. This visual echoes baptism, where water is drawn from the four corners of creation to sanctify and renew. As St. Paul writes, “If anyone is in Christ, he is a new creation” (2 Corinthians 5:17).

Here, the act of God shaping Adam from dust parallels the act of God renewing humanity through sacramental grace. The priest himself becomes a participant in this mystery – not merely as an officiant, but as one who has himself been reshaped and reborn in Christ.

The liturgical Sedro(eighth) captures this paradox:“You have raised me, a despicable dust of the earth, to enter the dwelling of Your divine mysteries, and lifted me to the Holy of Holies of Your Majesty.”

3. Priesthood Between Dust and Glory

The Qolo from Friday Evening (Ramsho) deepens this tension:“You created me and placed Your hands upon me…” (സൃഷ്ടിച്ചെന്മേൽ നിൻ കൈവെച്ചു).

The imagery affirms that priesthood is not self-derived but wholly a gift. It is God who fashions, raises, and sanctifies the human being from dust, clothing him with the radiant vestments of service. Even in death, as proclaimed in the Funeral Service of Priests, the priest is remembered as one who bore the imprint of both creation’s frailty and heaven’s glory.We are dust – yet in Christ, dust is raised into glory.

Fr Rijo Geevarghese

Diocese of Ahmedabad

Sopana Orthodox Academy

The Final Farewell: Liturgical painting Priest offering his final kiss to the Holy Altar

“Remain in Peace, O Holy Altar”
“പരിശുദ്ധമായ ബലിപീഠമേ! സമാധാനത്തോടെ വസിക്കുക.”

This liturgical painting, “The Final Farewell,” is a visual contemplation inspired by one of the most intimate moments in the Orthodox liturgy — the priest’s final farewell to the Holy Altar. It is a moment filled with sacred emotion and mystical significance, where the celebrant, having completed the Holy Qurbana, leans upon the altar, offering it a final kiss, a last farewell.

In the Orthodox tradition, as preserved in the Malankara Orthodox Syrian Church, the priest recites a farewell prayer that embodies both personal humility and eschatological hope:

“Remain in peace, Holy Altar of the Lord, for I do not know whether I shall return to you again.”

Malayalam:
കർത്താവിന്റെ പരിശുദ്ധവും ദിവ്യവുമായ ബലിപീഠമേ! സമാധാനത്തോടെ വസിക്കുക. ഇനി ഈ സന്നിധിയിലേക്കു ഞാൻ വരുമോ ഇല്ലയോ എന്ന് എനിക്ക് നിശ്ചയമില്ല.

In this painting, I have attempted to capture this sacred farewell as the priest embraces the altar (Thronos). This gesture might not be rubrically seen, but it is a personal contemplation of what this moment signifies.

Here, the altar — a symbol of the Cross and the Tomb, the Table of Life, and the Throne of God — becomes both a companion and a silent witness to the priest’s life and ministry.

The final words of the priest profoundly express the living reality of the altar, which continues to intercede for the priest:

“Remain in peace, Holy and Atoning Altar… beg for me from our Lord Jesus Christ that my remembrance may not cease from you henceforth and forever.”

Malayalam:
ജീവന്റെ മേശയാകുന്ന പരിശുദ്ധ ബലിപീഠമേ! സമാധാനത്തോടെ വസിക്കുക. ഇനി എന്നെന്നേക്കും എന്റെ സ്മരണ നിന്നിൽ നിന്ന് മാഞ്ഞുപോകുവാനിടയാകരുതേ. കർത്താവേശുമിശിഹായോട് എനിക്കുവേണ്ടി പ്രാർത്ഥിക്കണമേ.

I simply adore the beauty and depth of the Orthodox faith, where even a farewell to the altar becomes a mystical meeting place of love, memory, and eternal hope.

Fr. Rijo Geevarghese
Diocese of Ahmedabad

Priesthood and Return of Prodigal son

#OrthodoxPriest

A contemplative illustration of Ordination and Return of the prodigal son. This illustration is based on the two stanza of Eniyono in the Service of Ordination.

Malayalam:

പുണ്യപ്രദനാകും നീ മാത്രം കരുണാമൂർത്തി ദേവേശാ!

ധൂർത്താത്മജനെപ്പോൽ കൈക്കൊണ്ടും കൃപ ചെയ്കെന്നിൽ

അണിയാൻ നിന്നങ്കി തല താഴ്ത്തി തിരുമുൻപിൽ ദേവേശാ!

ദാനം പാർക്കുന്നോനിവനെ റൂഹാ തൻ ഭൂഷകളാൽ ശോഭിതനാക്ക

English:

Be atonement – to me, you only are of great mercies O God ! receive me like the prodigal son, and have mercy on me.

Lord adorn him who bow his head before Your-majesty for Your – sacred robe Lord adorn him with the Holy-Spirit.

One parable which strikingly reflects Priesthood is the parable of the return of the Prodigal Son. The parallels between the two are striking — the son/candidate kneels in humility and repentance before the father/bishop, who embraces, blesses, and clothes him. The prodigal is adorned with the best robe, and the newly ordained is vested with sacred garments, both acts symbolizing restoration, acceptance, and a new beginning in the Father’s house.

I have used two prototypes for this illustration one is the painting by famous artist Rembrandt “The return of the prodigal” and the other is the gesture of the Bishop and Candidate(Full deacon) during the ordination of the Priest.

#graphē_illustrations#Ordination#ProdigalSon

Looking forward to making more children friendly illustrations based on #OrthodoxFaith. #IndianOrthodoxy#Artist

Fr Rijo Geevarghese

Diocese of Ahmedabad

For learning content visit:

website: projectgraphe.in

Graphē Channel: https://youtube.com/channel/UCKbdLPq5LDLk4IknB5fd

Innocence Lost: Lessons from Bethlehem to Gaza

The tragic Parallel: Death of Children in Gaza and the Massacre of Children in Bethlehem (The Holy Innocents)

On these days of Christmas, we celebrate the joyous event of the birth of Christ, the prince of peace. But Christmas also reminds us of the tragic event of the Massacre of Children in Bethlehem also known as Holy Innocents. December 27 we commemorate the feast of Holy Innocents.

The nativity story found in the gospel according to Matthew tells us that once the wise men notified Herod that Jesus was born in Bethlehem, he instructed them to find the baby and then come back to him to tell him where he was so that he may “worship” the new king. Later when wisemen were instructed by the Angel to not go back to Herod the King, Herod was infuriated and ordered the death of several children.

The recent loss of innocent children in Gaza has once again brought to the forefront the tragic echoes of the past. In present days also we see leaders directly and indirectly lending a hand in the massacre of children.

In contemplating the parallels between the tragedies in Bethlehem and Gaza, we are confronted with perplexing questions. How can the innocence of children become entangled in the web of human conflict and power struggles?

Herod’s killing of children did not help him in killing the prince of peace, Jesus. Neither will the present-day massacre of children. This Christmas we all are called to stand against such atrocities and not to stand with ‘the Herods of our time’.

Let us remember these Holy Innocents along with all the children who are suffering, in prayers.

Fr. Rijo Geevarghese

“Table of Love”

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Shalom +++
Lenten thoughts from a “Table of Love” painting

Yesterday I shared a story behind an inspirational painting called “Table of Hope” but that story is not complete yet.
Earlier we saw how Joey found 12 children in poor districts of Manila . After treating them with meals, Joey took their pictures and retreated to his studio to start working on the painting. Which turned out to be a very thought provoking painting “Table of Hope”. It was a hope for better future of those Kids portrayed on canvas by Joey who was very sick with a life threatening Kidney disease.

The story of those kids didn’t ended with that painting, it continued with one more master piece ,Joey not only hoped for a better future of those 12 kids but he actually created a better future for those slum kids. Three years later, in 2008, he successfully helped each kid with secured shelter at a Gawad Kalinga village for them. They all have a better life now. This inspired him to create “Table of Love,” another version of the Last Supper with Jesus Christ dining with the same 12 street children but this time these Kids are happy and smiling with their homes as the background.

We all think about the miserable life of others, we hope the best for them but we resist taking the step to achieve what we hoped for.
Artist Joey passed away 4years back but with his life, with his painting “Table of Hope” the artist genuinely hoped for a better future for those kids and with the second painting he achieved what he hoped for, filling the life of those kids with Love.

Christ who showed this world that He who Himself is Love, is with us. May God help us to hope a better life for everyone and to achieve what we are hoping for with Love and care.

Rijo Geevarghese