Priest, Raised from the Dust of the Earth

Priest, Raised from Dust of Earth

A Visual Contemplation on Priesthood from a Liturgical Reading

The priest stands at the altar clothed in light, yet at his very core he remains the fragile dust of the earth. This paradox – dust and glory, earth and heaven – lies at the heart of the Orthodox vision of priesthood. The painting “Priest, Raised from Dust of Earth” seeks to visually contemplate this mystery through the lens of liturgical texts: the Sedro reading from the Holy Qurbana Taksa, the Funeral Service of Priests, and a Qolo from the Friday Evening (Ramsho) prayers.

1. The Dust of Creation and the Hands of God

On the left side of the painting, we see the divine hands gathering the dust of the earth, forming the first human being. This recalls the hymn from the Funeral Service of Priests:“From the four directions the Lord took dust in His hand and created Adam in His own image.”

This tradition resonates both with the Syriac liturgy and with the Midrash Rabbah on Genesis, which tells us that God gathered dust from the four corners of the earth so that every place might claim humanity as its own. The image proclaims that the priest, like Adam, is drawn from creation itself, embodying the fragility and the universality of the human condition. He is nothing but dust – yet dust touched and shaped by the very hands of God.

2. Priesthood as New Creation

The right side of the painting shifts the focus to the priest clothed in vestments, his hands stretched toward the heavenly hand that pours forth divine grace. This visual echoes baptism, where water is drawn from the four corners of creation to sanctify and renew. As St. Paul writes, “If anyone is in Christ, he is a new creation” (2 Corinthians 5:17).

Here, the act of God shaping Adam from dust parallels the act of God renewing humanity through sacramental grace. The priest himself becomes a participant in this mystery – not merely as an officiant, but as one who has himself been reshaped and reborn in Christ.

The liturgical Sedro(eighth) captures this paradox:“You have raised me, a despicable dust of the earth, to enter the dwelling of Your divine mysteries, and lifted me to the Holy of Holies of Your Majesty.”

3. Priesthood Between Dust and Glory

The Qolo from Friday Evening (Ramsho) deepens this tension:“You created me and placed Your hands upon me…” (സൃഷ്ടിച്ചെന്മേൽ നിൻ കൈവെച്ചു).

The imagery affirms that priesthood is not self-derived but wholly a gift. It is God who fashions, raises, and sanctifies the human being from dust, clothing him with the radiant vestments of service. Even in death, as proclaimed in the Funeral Service of Priests, the priest is remembered as one who bore the imprint of both creation’s frailty and heaven’s glory.We are dust – yet in Christ, dust is raised into glory.

Fr Rijo Geevarghese

Diocese of Ahmedabad

Sopana Orthodox Academy

Icon of Theotokos : The Mother of the Light

This icon titled “Mother of the Light” (Emme d-Nuhro or Emme d’nuhro) presents Mother Mary as a serene, luminous figure. From within her radiates the eternal flame of Christ, depicted here as a “diya” or “deepak”, the traditional oil lamp of Indian culture.

The flame within her is not merely a source of illumination but becomes the source of her own radiance. It reflects the profound theological truth that the holiness of the saints (symbolized by the halo) is not separate from Christ but born of Him. Mother Mary’s light is Christ’s light, dwelling within her, transforming and glorifying her.

According to St. Ephrem, the more light that enters the eye, the more the eye is enabled to see (Which is basis of optics). He applies this to the inner eye, for which faith takes the place of light: the greater the faith, the more the interior eye perceives the spiritual world. In the case of Mary, it is Christ Himself—the Light—who enters her:St Ephrem writes,

As though on an eye,the Light settled in Mary,it polished her mind,made bright her thought,and pure her understanding,causing her virginity to shine. (Hymns on the Church)

This theological vision resonates with the imagery of this Icon. The deepak’s glow is not external but proceeds from the divine Light who dwelt within her. As St. Jacob of Serugh beautifully proclaims:

“O Mary, you are the house of beauties and the storehouse of treasures, the Mother of the Sun, who generates unlimited light.”

In this image, the light of the deepak rises and extends outward, forming a radiant glow that encircles her—a visual testament to the intimate mystery of the Incarnation, where the uncreated Light takes flesh within her, making her truly the Mother of Light.

Fr. Rijo Geevarghese, Diocese of Ahmedabad Sopana Orthodox Academy

Theotokos, the Golden Censer

In Orthodox tradition, Mother Mary and the virgin birth of Christ are expressed through rich typologies in Christian tradition. I earlier tried to cover some of them in my Channel (link below).

Each typology reveals an aspect of the mystery of the Incarnation.One profound typology is that of Mother Mary as the Golden Censer. Sharing an Icon of Mother as the Golden censer. Her womb is called the holy censer because it bore the living burning coal —Christ Himself.

Though its a familar typology in Orthodox church, I found this imagery recently in the readings of Feast of Dormition.

Here are three of them,Malayalam: “നിർമ്മലകന്യകയുടെ പരിശുദ്ധ ഗർഭപാത്രമാകുന്ന പാവനധൂപകലശത്തിൽ വയ്ക്കപ്പെടുകയും”.

English: Christ was placed in the holy censer, which is the pure womb of the VirginEvening Ethro , Dormition of Mother Mary

Another one says,

“സംയോജിപ്പിന്റെ ധൂപമായിത്തീർണ സ്വർണചെപ്പേ”.“O golden censer, who became the incense of union…” (Night Sedra, Dormition of Mother Mary)

Another connect her with the High Priesthood of Christ.

സ്വർഗീയ മഹാപുരോഹിതന്റെ നിർമ്മല ധൂപകലശമേ! സമാധാനം”.

English:“O pure censer of the heavenly High Priest! Peace.” (Sedra reading, Dormition of Mother Mary.)

This icon of Theotokos as the Golden Censer proclaims Mary not only as the vessel but also Christ as the fragrance of life (msheeho, reeho hayutso)

As St Ephrem says, When eaten as the Bread of Life, Christ pervades whole of the believer’s being. When inhaled as the Fragrance of Life, Christ again penetrates throughout the believer.(Thoughts from Hymns on Nativity and Virginity) ജീവൻ്റെ സുഗന്ധമായി ശ്വസിക്കുമ്പോൾക്രിസ്തു വീണ്ടും വിശ്വാസിയിലുടനീളം വ്യാപിക്കുന്നു.

So too, in contemplating Mary as the Golden Censer, we see her not only as the vessel of divine fire but as the one who offers Christ, the life-giving fragrance, to the world.May this image invite us to breathe in Christ, who fills all creation with the fragrance of life.

Fr. Rijo Geevarghese

Diocese of Ahmedabad

Sopana Orthodox Academy